Selasa, 11 September 2012

[R627.Ebook] Ebook Free Alvar Aalto: Second Nature, by Jochen Eisenbrand, Pedro Gadanho, Dörte Kuhlmann, Peter MacKeith, Mina Marefat, Marco Michelis, &Aacut

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Alvar Aalto: Second Nature, by Jochen Eisenbrand, Pedro Gadanho, Dörte Kuhlmann, Peter MacKeith, Mina Marefat, Marco Michelis, &Aacut

Alvar Aalto: Second Nature, by Jochen Eisenbrand, Pedro Gadanho, Dörte Kuhlmann, Peter MacKeith, Mina Marefat, Marco Michelis, &Aacut



Alvar Aalto: Second Nature, by Jochen Eisenbrand, Pedro Gadanho, Dörte Kuhlmann, Peter MacKeith, Mina Marefat, Marco Michelis, &Aacut

Ebook Free Alvar Aalto: Second Nature, by Jochen Eisenbrand, Pedro Gadanho, Dörte Kuhlmann, Peter MacKeith, Mina Marefat, Marco Michelis, &Aacut

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Alvar Aalto: Second Nature, by Jochen Eisenbrand, Pedro Gadanho, Dörte Kuhlmann, Peter MacKeith, Mina Marefat, Marco Michelis, &Aacut

Described by the architectural critic Sigfried Giedion as the “Magus of the North,” Alvar Aalto (1898–1976) is the best-known Finnish architect of his generation and a leading proponent of a more human modernism. His buildings such as the Paimio Sanatorium (1933), the legendary Villa Mairea (1939) and the church of the Three Crosses in Vuoksenniska (1958), embody a masterful interplay of organic volumes, forms and materials. From door handles and lighting fixtures to built-in furniture, Aalto frequently designed complete interiors down to the smallest detail. With his plywood chairs, the master builder additionally became one of the most significant designers of the twentieth century. His Savoy Vase represents the quintessential qualities of Finnish and organic design. This richly illustrated book is the first in many years to offer a comprehensive and current overview of Aalto’s oeuvre as an architect, designer and urban planner. Ten authors, including the renowned architectural historians Eeva-Liisa Pelkonen and Akos Moravanszky, and MoMA curator Pedro Gadanho, address central aspects of Aalto’s work. Particular attention is paid to Aalto’s dialogue with important artists of his day, including Laszlo Moholy-Nagy, Jean Arp, Alexander Calder and Fernand L�ger, as well as his interest in film, cinema and photography, whose influences on his work are examined here for the first time. The catalogue section presents numerous never-before-seen original drawings and architectural models from the archive of the Alvar Aalto Foundation. This perspective on Aalto is complemented with photographs by Armin Linke, who documented a number of Aalto’s buildings anew especially for this publication. As these images demonstrate, Aalto’s work is as current and inspiring today as it was at the time of its creation.

  • Sales Rank: #535430 in Books
  • Brand: Aalto, Alvar/ Kries, Mateo (EDT)/ Eisenbrand, Jochen (EDT)
  • Published on: 2014-11-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 6.75" w x 1.75" l, .0 pounds
  • Binding: Hardcover
  • 648 pages

About the Author
Eric Mumford is Assistant Professor at the School of Architecture, Washington University in St. Louis.

Most helpful customer reviews

6 of 6 people found the following review helpful.
A beautiful to hold
By CJM
A beautiful to hold, beautiful to look at, and beautiful to read monograph on Aalto. If you are looking for a slick large-format book full of detailed photos I might look elsewhere, but the archival material, artful new photos, and especially the fascinating essays make for a wonderful book.

3 of 3 people found the following review helpful.
More Boring To Read Than Textbook
By Sonntag
This was my most anticipated book to buy for 2014 after witness the failed attempt by Robert McCarter earlier that year, and my stubborn refusal to pay $300 dollars for 3 overpriced black and white Xerox copies by Birkh�user. Unfortunately my principle and patience didn't payoff that year, and my dream of hoping to buy a better Aalto book than Richard Weston's version was shattered like the snow globe that I accidentally dropped at Strand Bookstore.
The book was small in page format with about 75% text and we are talking about a 648-page volume. It has more text per image than a Kenneth Frampton's architectural theory book. The rest are drawings and normal at best photographs. Don't be fooled by the four semi-decent images they show on Amazon because that's probably the best images throughout the whole book.
I was going to put the book back on the shelf and walk away without saying anything, but I soon realize that's ethically wrong because some poor student or intern might spend $60 of their hard earn money on it and expect lots of drawings and beautiful photographs than an overpriced furniture brand on the cover. So, I decided to share my humble personal opinion. And of course, I do not speak for those who enjoys reading phone book.

0 of 1 people found the following review helpful.
A true genius in his field! It was a ...
By Phil Cotton
A true genius in his field! It was a true pleasure to "meet" him through the pages of this in dept architectural biography. Thank you.

See all 5 customer reviews...

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