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Book by Fyodor Vasilievich Gladkov, A.S. Arthur, C. Ashleigh
- Sales Rank: #266667 in Books
- Brand: Brand: Northwestern University Press
- Published on: 1994-11-23
- Original language: English
- Number of items: 1
- Dimensions: 7.75" h x .80" w x 5.13" l, .74 pounds
- Binding: Paperback
- 311 pages
- Used Book in Good Condition
From Library Journal
Written in the 1920s, this novel, a pioneer in portraying the sociological effects of Communism, examines family life after the sexes are suddenly equal in the labor force of the local cement factory.
Copyright 1994 Reed Business Information, Inc.
Language Notes
Text: English (translation)
Original Language: Russian
Most helpful customer reviews
1 of 1 people found the following review helpful.
good prevails.
By Mary Rossi
Life in post-revolutionary Russia was no picnic with mass starvation and lawlessness. This book focuses on a guy who is trying to get the cement factory working again but finds himself fighting one committee after another and their role seems to be only to throw up roadblocks. There is much sadness but in the end, good prevails.
10 of 12 people found the following review helpful.
Paradigm of Socialist Realism
By Richard A. Blumenthal
In Cement, a classic of socialist realism and an exemplar of the production novel, Fyodor Gladkov portrays the sociological effects of Communism on the inhabitants of a mountain town after the Russian Revolution as they attempt to rebuild their lives under the new economic policies of the Soviet Union. Written to a master plot that controls the most critical elements of the story, the novel illustrates major tenets of Soviet ideology. Task fulfillment is combined with the maturation of the positive hero as he transcends his selfish interests and finds self-fulfillment in the collective cause of Communism. Gleb Chumalov, having distinguished himself in Civil War battles, returns home to discover things have changed dramatically. The cement factory is idle, petit bourgeois values remain, and the local officials are not committed to a reopening of the factory. Moreover, his wife, Dasha, is now the leader of the local Women's Section of the Communist Party, and has no interest in continuing their marriage. Chumalov perceives that the battle for communist survival must now be fought on the economic front and he redirects his energies to accomplish this task. Overcoming worker apathy, red tape, and sabotage, Chumalov mobilizes the proletariat, challenges the bureaucrats, and succeeds in achieving the reopening of the factory on the fourth anniversary of the October Revolution. In a speech marking the completion of the task, Chumalov envisions a wonderful life for future generations under communism. In further development of the motif that sacrifice will lead to a common good, Serge contemplates life after his purge from the Communist Party because of his Menshevik ties: " he, Serge Ivagin, as a personality did not exist. There was only the Party and he was an insignificant item in this great organism."[1]
Katerina Clark suggests that although Cement, in many ways, exemplifies the prototypical Soviet production novel, largely due to the fact that its plot and positive heroes were imitated more than any other in Soviet fiction, especially in the 1940s when Gladkov was director of the Literary Institute, it is better viewed as an embryonic form of such novels. She concedes that Cement, written in 1925 before Stalin's rise to power, did indeed include much Pravda rhetoric, especially the theme that the fight for communist survival must be redirected to the economic front. She argues, however, that unlike the conventional socialist realist novel, Gladkov uses language and imagery of several nonpartisan highbrow literary schools of thought. Gladkov's opulent prose was repeatedly criticized, and he rewrote the novel several times in response to his critics. Notwithstanding the alterations, the hero image he projected in Gleb Chumalov remained in tact, and became a convention for later Soviet realist novels. In Clark's view, Cement demonstrates that Stalinist culture was influenced by a variety of preexisting elements and was not something that was handed down solely by the dictator himself.[2]
[1] Fyodor Vasilievich Gladkov. Cement. Evanston: Northwestern UP, 1994, 296.
[2] Katerina Clark. The Soviet Novel: History as Ritual. Bloomington: Indiana UP, 2000.
23 of 28 people found the following review helpful.
Sex, love, and Bolshevism
By abby schrader
The 1920s was a great decade for Soviet literature: the works published during this era are thematically- and ideologically-diverse. Yes, there are better-written novels that came out during this period. Nevertheless, Gladkov's Cement is under-rated. I find it fun to read and re-read (which is critical, since I end up teaching it a lot) and it's definitively one of the best vehicles for getting at the tensions that plagued the Bolsheviks in the early years. Pairing this with Abram Room's film, Bed and Sofa, is a great way to address questions of gender in the early Soviet Union.
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