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This book contains eighteen original essays by leading Joyce scholars on the eighteen separate chapters of Ulysses. It attempts to explore the richness of Joyce's extraordinary novel more fully than could be done by any single scholar. Joyce's habit of using, when writing each chapter in Ulysses, a particular style, tone, point of view, and narrative structure gives each contributor a special set of problems with which to engage, problems which coincide in every case with certain of his special interests. The essays in this volume complement and illuminate one another to provide the most comprehensive account yet published of Joyce's many-sided masterpiece.
- Sales Rank: #644491 in Books
- Published on: 1977-11-02
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.35 pounds
- Binding: Paperback
- 447 pages
About the Author
David Hayman is Professor Emeritus of Comparative Literature at the University of Wisconsin, Madison.
Most helpful customer reviews
14 of 15 people found the following review helpful.
Views Various
By Annapolis Bookstore LLC
I am no Joycean scholar but as "Ulysses" is consistently rated as one of the greatest novels of the 20th century I was determined to get through it and understand it as best I could. This collection of essays I found very helpful and while the authors have way too much time on their hands to be considering Joyce's novel to the depth they do (one of them actually retraced the steps of all the characters in the Wandering Rocks episode to determine whether Joyce's narrative was realistic), I did not find it a difficult read and it was interesting to have a variety of views from different critics in the one volume. I doubt whether I would have made it through "Ulysses" without this by my side, and also "Ulysses Annotated". I think I will leave "Finnegan's Wake" for the next metempsychosis.
20 of 25 people found the following review helpful.
Scholarly Essays Concerning the James Joyce's Novel Ulysses
By Gayle Alstrom
These essays are mainly for the very well educated in literature who are unduly interested in Ulysses, and/or doing scholarly research on James Joyce. However, even attempting to read these essays does help one to get more meaning out of Joyce's great novel. These essays are hardly any easier to read than the novel itself, but if you have the intelligence and education to understand and appreciate them, it's certainly worth the effort. The essays cover all the chapters of the novel individually--not the novel as a whole--so if there is one particular chapter you are interested in learning more about, or having trouble understanding, you can find an essay that concentrates only on that particular chapter.
4 of 4 people found the following review helpful.
James Joyce’s Ulysses: Critical Essays (Hart and Hayman, Eds.)
By Bob R Bogle
A few years ago some Twitter wit, I forget whom, suggested that the eighteen episodes comprising James Joyce's Ulysses might be conceived of as more-or-less independent scrolls; that the compounded tome represents a collection of said scrolls compiled in a manner like unto how Homer might have aggregated The Odyssey from the efforts of pre-existing raconteurs, imparting his own authorial stamp to the collective work. While I've no indication that such was Joyce's intent, I've ever since found the mental image of a disheveled pile of scrolls to be a useful model for thinking about Ulysses and its (in)famously radical shifts of style and emphasis from one episode to the next. This could also account for Joyce referring to said independent components as episodes rather than the conventional chapters.
Taking on Ulysses episode by episode, James Joyce's Ulysses: Critical Essays, edited by Hart and Hayman, is so stuffed with invaluable insights that never before in my life have I filled up a book with so many Post-It notes for later review. Having already been though Ulysses about seven or eight times in the last few years, and beginning ― so I innocently believed ― to acquire a certain panoramic vision and appreciation of its sweeping narrative and vast multitude of characters, Hart and Hayman humbled me, revealing that in some ways I am only just beginning to break down through the superficial crust of the book and to plunge into the true and unexpected allusive ocean of dimly-lit psychopoetics which broods beneath. Some of the episodes I now must fundamentally rethink; others I now suspect I perceive only through the darkest glass most obscurely.
Of course this is the great fun* of reading James Joyce, and what you find in no other writer: as soon as the words "I understand" occur to you, the solid earth crumbles from beneath your feet. It's not so much a matter of coming to understand Joyce's stories as it is learning how to read, and reconsidering what the act of reading is, or can, or may be.
Some of the eighteen essays to be found in Hart and Hayman ― one essay for each of the episodes in Ulysses ― are more mind-blowing than others. Robert Kellogg on Scylla and Charybdis is something of a revelation. Clive Hart on Wandering Rocks is nothing less than astonishing. Jackson I Cope is a most helpful guide through the musicality of Sirens, providing a number of useful guideposts. David Hayman shows us how the text of Cyclops is nested in a way I hadn't picked up on before, and also here sets out his critical Arranger theory of narration throughout Ulysses, which by itself makes this particular essay a vital one. Likewise while JS Atherton may not be the last word on Oxen of the Sun, he probably comes close; at a minimum, Atherton's essay is unquestionably required reading.
Reading and carefully reflecting on Gifford's Ulysses Annotated and Gilbert's James Joyce's Ulysses: A Study are of secondary importance only to successive re-readings of Joyce's original text if one hopes to begin to garner something approaching a respectable comprehension of Ulysses. James Joyce's Ulysses: Critical Essays is likewise an important reference work, though perhaps a bit less so for the layman than for the academic scholar, but only a bit. If Gifford and Gilbert and Joyce were required reading for a 400-level course, then you'd expect to encounter Hart and Hayman in a graduate course. It's not too much for the layman to come to terms with. I am myself such a layman, and I find this book to be masterful and helpful in the extreme.
* Some might object to my use of the word "fun" here . . . until they've made their first conceptual breakthrough and acknowledged that Joyce's conception of fiction is unlike anything they've encountered before.
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